Wednesday, December 31, 2008

The Bloody Chamber ***1/2

By Angela Carter
Published 1979 - Victor Gollancz Ltd., 1980 Harper and Row, 1981 penguin Books (UK), 1987 Penguin Books (USA), 1993 This Edition
126 pages

Angela Carter has written several short story books. Is seems to have been her niche. I have only read one other book by her which was also short stories. Her work is a mixture of the baroque love for detailed and flowery language and profane subject matter. So while I'm enjoying the sometimes ribald stories with their contemporary feel, I am also enjoying (and often struggling with too) her beautiful language and poetry.

This is a book of retold fairy tale stories. I won't go into detail about the plots, because they are somewhat familiar, but I will tell you the traditional stories that they are based on. The title story is based on the the Bluebeard tale. There are two different versions of Beauty and the Beast. One of the funnest stories is a version of Puss n' Boots and that scampy cat. There are several varieties and themes of the little girl in the woods (Little Red Riding Hood) and also some vampire and werewolf stories.

I can see several themes being displayed here. There is always a beast or monster. And then there is always the sexually ripe young girl as one might expect. Perhaps the thing that always stands out is the sadness and melancholy of these beasts. Most of them seem to suffer and there is a nobleness. In one of my favorite stories, The Lady of the House of Love, a vampiress mourns her condition, but can't resist her primal bestial instincts and desires. When one young man comes to visit, she changes into a human so as not to kill him out of affection for him, thus ending her own life. The piece is beautiful and tragic.

In our book club, many people hated this book. I think it was mostly because of the difficulty of the dense language. There is the general argument that what one does not understand, one does not like. On the other hand, there is also the argument that elitists only like the difficult works because they are difficult. Yes the language is difficult. I had to slow down many times to figure out what was going on. Sometimes it was impenetrable. But even then, the language was so beautiful, I was able to get a feeling or an emotion though my complete understanding was somewhat obstructed. Sometimes the language has a feel or an emotion and does not always have to communicate straight narrative elements.

And also there is enjoyment in going back and deciphering the text. It's not easy work. The reader has a job to do. With each rereading, the stories and language start to unfold and there is new idea for the reader to think about. It's like what some people say about quality music. Each new listen brings something new to the ear. In this case, each new rereading brings something new to the brain to enjoy and savour. This book will definitely have something to give to the reader after many readings.

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